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Previous Poll Results:
Question: Favorite type of ending for a harem series. (MC = main character)
I hate harems - votes: 1705 (39.7%)
MC ends up with no one - votes: 181 (4.2%)
MC ends up with a side love interest - votes: 400 (9.3%)
MC ends up with character that was introduced much later into the series - votes: 201 (4.7%)
MC ends up with the first introduced love interest (i.e., main love interest) - votes: 654 (15.2%)
MC ends up with everybody - votes: 1150 (26.8%)
There were 4291 total votes.
The poll ended: March 16th 2019
I guess that's why you watch harem series: you want to see the main character get with everyone
» calstine on March 16th, 2019, 1:49am
What's happening in this day and age? Almost none of the post-2010s managed to make it into my favs. I can understand the pre-1990s cos they were before my time and probably why I find them largely unappealing save for a few exceptions, but imo modern-day fiction is just getting shallower and less unique, despite, funnily enough, being more liberal in terms of subject matter.
» ForeignerChan on March 17th, 2019, 5:47pm
» tactics on March 16th, 2019, 3:28am
» HikaruYami on March 16th, 2019, 4:08am
» Rouzmary on March 16th, 2019, 5:52am
All of my favorites are from those 3 decades. Well, more like 25 years. The last few, not so much.
I think 2010 could very well be divided in 2: 2010-15 & 2015-19
These past years...can't say smt best has been created or at the very least I haven't come across it.
I really wish for this one we could've picked several choices, but oh well, went with 90's since that is when the goodies (to me) began.
» residentgrigo on March 16th, 2019, 8:13am
The 80s were the best time for US comics with the 00s coming second. Animal Man, DKR, Watchmen, V or Vendetta, 80s era X-men and the Post Crisis DC books that finally unified the canon. A+ stuff. Grant Morrison and Alan Moore broke out and were hired by DC as a result, which bring me back to the US argument. The 80s are even the peak era for EU comics. The Incal and XIII started for example. It´s really a shame that I wasn´t born a decade earlier, as I would have loved to live through this stuff, just not in the USSR... The never ending fake nostalgia for the 80s that has been around for over a decade (!) is legit infuriating though. Chernobyl, the Challenger explosion, the endless wars/rising terrorism and the very real danger of nuclear war were a thing, just not on 99% of these nostalgia wanks.
PS: Gundam is from 1979, Attack on Titan and the original One Punch-Man are from 2009, so the math doesn´t check on these 2 😉. The 80s still gave us the best Gundam with Zeta.
» Kurapica on March 16th, 2019, 8:27am
2000s were great as well and transformed manga and animes appeal from insiders only to that of a worldwide audience, from which the current age is the absolute peak (torrents, livestream, netflix era). Unfortunately while i can say manga has gotten more professional now, i can't say it has necessarily gotten better.
» vigorousjammer on March 16th, 2019, 10:20am
I feel like modern-day manga is so varied and interesting and while there is a lot of very basic titles which are there just to fill a void, there's also a lot of really interesting stuff being done with seinen series now more than ever, I feel.
Although, I think my favorite era of manga is still going to be classic 70s manga where things had advanced past the comedic 4-panel stuff from the 60s, and had progressed into more cinematic gekiga, as well as experimental stuff like what was being published in Garo at the time. This kind of spread into the 80s as well... and the poll itself seems to be focusing on Shonen more than manga as a whole, so I'm not sure what to choose.
When it comes to anime, I feel like it reached it's pinnacle in the late-90s, when the art had gotten to such a point that even the low-budget productions still managed to look fantastic, and the higher budget stuff still hold up the test of time today (provided they are re-scanned from a film print and re-released in HD). It's also the time before digital artwork had seeped it's way into everything, so it still had this very textured, hand-crafted look to everything which I still crave, and has started to come back into fashion slightly in recent years.
I feel like the manga of this era, while good, started to fall into tropes. Specifically shonen manga of the era ended up being somewhat formulaic in a way that felt a tiny bit repetitive, but for the most part was still enjoyable.
Even if I think seinen stuff is more interesting, I feel like there wasn't very much interesting seinen stuff coming out in the 90s. It was mostly just manly stuff, which can be fun but also pretty formulaic.
Since there isn't any really good options for my favorite era of manga, I'm going to vote 90s, though, since it is my favorite era of anime for sure.
» Banshou on March 16th, 2019, 12:03pm
On a slightly unrelated topic, here's an anime question.
If, hypothetically, we were to think of:
The 70s as the time Japan's animation scene developed it's own identity,
The 80s as the reign of Japanese animation geeks and a concept of anime beyond "cartoons made in a Japanese style".
The 90s as the birth of the modern otaku and subsequently the first (highly experimental) era of shows to be made by them.
What exactly are the artistic characteristics of the 00s and 10s beyond "adopted modern production techniques" and "was influenced by the previous era"?
I'm not saying these are bad eras, like many of you, most of my favorites are from these times, and I feel comfortable saying that many are as close to the concept of "objectively good" as one can get, but I feel like because I grew up during these eras, most of the shows I have watched, period, are from around that time period, and so I am not seeing the bigger picture.
Likewise for manga:
If the 60s were when modern manga began,
the 70s, when it solidified as a concept,
and the 80s, the era when the bars were set,
What exactly do 90s, 00s, and 10s manga have to define themselves beyond improvements in illustration methods and distribution channels?
(I may repost this on reddit later,.)
» SamuraiX on March 16th, 2019, 2:43pm
» Transdude1996 on March 16th, 2019, 7:35pm
As far as what I have experienced, the 60's suffer from being the first and the "roughest" years, the 70's feel like the precursor of everything to come after, the former half of the 80's feels a bit like an extension of the 70's with some more experimentation, the 2000's feels like they went all over the place (With just as much success), and the past decade seems like everything is targeted more towards being clean and marketable.
» hiei_luke on March 17th, 2019, 9:30am
From the list of names, you might know which era I would choose 😁
I wonder which era that the mods & admins prefer (I bet I can deduct lambchopsil's choice pretty easily)
» lambchopsil on March 18th, 2019, 8:08am
You may be surprised to learn that almost all the anime I've watched is from the 2000s
» hiei_luke on March 20th, 2019, 5:54am
One might argue that is not the case since some might prefer the earlier era if the quality of the manga/anime are to his/her choices.
But, I can see your point if readers chose them because of sentimental reasons.
» redlinks on March 17th, 2019, 7:11pm
For manga, I would say 2000's and onward. There are some that I enjoy from the 90's even 80's but I find that lately, I've been enjoying manga from 00's and 10's mostly.
» Torinismyname on March 17th, 2019, 11:31pm
The 80s in particular are noteworthy as the economic bubble resulted in niche groups of fans funding high quality animations which were bought at exorbitant prices. Animation that more than stands the test of time.
Mushi Productions had great shows even in black and white. Look at Dororo and you’ll be shocked at what they were capable despite limitations.
The original Lupin Series was directed by Miyazaki. Both he and Isao Takahata directed a lot of classic TV series before their more well known movies. This was the era of “Animation Masterpiece Theater” TV adaptations of literature.
This was the era of Tezuka! The God of Manga!
Don’t neglect the classics!
Space Adventure Cobra
» Sugarshark on March 18th, 2019, 2:49am
I might have a different answer if I was 25 years older back then.
runner up answer is: right now.
The wide-spread availability of all genres is phenomenal and important, as well as having such a large back catalogue a person could conceivably do nothing but consume for 16hrs/day every day and never run out of new materials
» cmertb on March 18th, 2019, 8:29am
» gormadoc on March 21st, 2019, 1:15pm
» blackkittycat15 on March 21st, 2019, 5:48pm
» Mamsmilk on March 21st, 2019, 8:53pm
» residentgrigo on March 22nd, 2019, 12:28pm
The Anime Boom or the Export Age.
The increase in output was insane and you could clearly see that Japan became hyper-aware of the export markets. Just look at the plot of Gundam 00 or the bewildering commentary on the Middle Eastern Wars that somehow overtook the first FMA in its original 3rd act (the director was the same). GitS Innocense was literally designed to win the Palme d'Or, the first anime won an Oscar, Death Note is what happens if an American cop thriller is filtered through the Jump lense and South Park had a whole ep. on anime.
The current decade will likely be remembered as the Digital Age or something like that. Day and date streaming, the near-death of home media, digital or web(only) manga, etc. But we obviously still need to exit it to have a final evaluation.
I wonder what the next decade will be about. I wouldn´t be surprised if the American tv industry will figure out how to make good manga/anime adaptations before Hollywood proper does (Netflix can only improve on Sword Arts Online if you ask me). It can´t be too long now. One or two big successes in a short time frame would be enough to turn things around for foreign adaptations of Japnese source material for good. The near ubiquitous superhero adaptations are proof of that.
» gormadoc on March 22nd, 2019, 2:27pm
I think it already has. Several of the big shows from my childhood, like the Powerpuff Girls and Totally Spies, were very anime-esque, then Teen Titans and Kim Possible brought it even closer, and now we have the Avatar franchise, which is close enough for ignorant people to ask for in "the original Japanese."
In fact, Transformers was actually animated by Japanese artists but written and produced by Americans.
As an aside, earlier you mentioned 2000s comics and X-Men. Did you like Uncanny X-Men at that time? It felt like an angsty soap opera to me but I wasn't talking to the bigger fandom at the time so I don't know how other people felt. I enjoyed New X-Men until they killed everyone off.
» Transdude1996 on March 22nd, 2019, 8:59pm
The Battle Angel Alita film "failed" commercially (After performing during one of the lowest sales period in years, and on top of the fact that Americans are not watching movies anymore) and I've heard that it's the best adaptation yet (Partially because Cameron actually read and loves the damn series). The only other ones worth noting are Edge of Tomorrow (Which was a financial success, but went through several severe rewrites for a few years), Astro Boy (Which was a joint project with a Chinese company and rather good, but flopped), and Speed Racer (Which was an okay film, but flopped as well).
As far as SAO, the entire series is trash. However, I have heard that Gun Gale Online and the original 2005 webnovel (Which has been scrubbed from the known net) are the only exceptions to this. Also, I doubt the Netflix series will be good when much of modern American TV and film is trash, and the only thing they take away from the failures of Death Note and Ghost in the Shell and Kite and Oldboy is that "whitewashing is the problem" when that was never the problem. And, they are still managing to miss the point with the Your Name film.
In addition, WHY do we even need Hollywood to adopt ANYTHING? Much more, make it "live-action" when an overwhelming amount of current live-action films use CGI to the point that you might as well be watching a cartoon. About two decades ago, a Chinese film was released into the Western world, was able to stand one it's own, became a commercial and critical success worldwide, and was supposed to be a change in the way films were distributed with showing how Hollywood isn't the one-all-end-all to how films are made and released. Shouldn't we be far beyond begging one of the biggest institutions in the world for trafficking, corruption, and crime to "adapt" something when we can just go see the original work for ourselves and support the original creators (Especially since Hollywood barely makes any original works anymore)?
Totally Spies is a French series, and the French are huge weebs if it wasn't apparent with Code Lyoko, Lastman, Oban, Wakfu, Super Fuck Friends, Nicky Larson et le Parfum de Cupidon, and that they're the sole reason why NISA hasn't gone bankrupt yet. And, the Nips love them back just as much (Read up on Paris Syndrome).
As for all the American series you listed, they were all animated in Asia, primarily Japan and/or Korea. EVERY American cartoon is animated in Asia since...the 80s. The only exceptions to this rule have been the Cal-Arts/Flash series, which pale in comparison in animation (Especially since Wakfu is also produced in Flash) and actual depth (When compared to foreign and past works).