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http://io9.com/5874951/why-manga-publishing-is-dying-and-how-it-could-get-better
Comments (limited to first 100 replies)
» Tenji on January 24th, 2012, 1:34pm
» Kaitentsuki on January 24th, 2012, 3:12pm
On the side note i have to say damm one piece is owning in sales o_O
» noctemleya on January 24th, 2012, 3:22pm
Actually publishers should really stop whining and move along with the times. As the article itself says, the manga market has become outdated and publishers should start thinking about digitalizing their content, thus making it more available (plus cheap and ecological) for everyone. Webtoons are a proof of that, and crunchyroll is a proof that you can sell cheap legal anime and still make money. So why not do the same with manga?
» SAimNE on January 24th, 2012, 11:00pm
Of course they could also have a free version with ads... cuz if every single person who wants manga is going to the same site.... Ad revenue will be freaking awesome. Hopefully someone can find a way to put this together and get a fair payment system(big boys get a set agreed payment, and the rest get based on the number of visitors they draw in)... plus they could market merchandise(and maybe even advanced payment on hard copies) on another part of the site since basically their entire english market would see it.
» ashi on January 26th, 2012, 10:07am
You are all talking about publishing in the US, but (besides MU) everywhere I go that is manga related you have people from all over the world reading the scanlations in English, because to be honest, it's the only possible way. If I wanted to buy manga here I would have to go to the capital of my country, where I would find very few titles translated into Spanish by Spaniards, most of the words I would have to look up because I don't know many of the slang they use.
Honestly, internet is the only option for many people out there. If I ordered them online I would have to pay 3 times the money it really costs, not to mention... how could I possibly know that this or that title exist if I hadn't read it before?
If all they want to make more money from us consumers, they should do it smartly and offer realistic, fast options.
» ratgr on February 1st, 2012, 6:30pm
I think the solution will be to simply Host them online and like you said if you pay see it imediately and if you dont pay then a week or even until the next chapter comes Out an whit lots of advertisement
Or YOu know I would Like to make our own hosting site where using adds we could pay for the rights I Know its really hard but you know if lots of scanlation teams group toguether we can make it and scanlators may even get a profit for it (not a lot).
I will make a Post about this.
» imercenary on January 24th, 2012, 3:24pm
This says it all.
» thevampirate on January 24th, 2012, 3:38pm
» derpMonster on January 24th, 2012, 3:38pm
Publishers and translators on twitter being high and mighty about people hunting for scanlation: without scanlators, most mangaka won't even get exposure for english licensing. The popularity of yoneda kou and takarai rihito are pretty good examples.
The world of yaoi scanlations leaves much to be desired, with the closed comms, the rules, rules, everywhere and scanlators who don't care we have a life outside manga. It's not about the mangaka or stories anymore. Just an ego circlejerk.
It's best we learn japanese and import (if we work for manga money, we don't have time for japanese learning. And japanese titles also go out of print depending on how popular a title is with japanese fans - niche genres - not bleach or something). I don't see the licensing or scanlation world getting better anytime soon. Or you could learn chinese and pirate like what's going on in a majority of genres. No one catches chinese scanners, mangareaders or forums based in china. Just look at dm5.
» catandmouse on January 24th, 2012, 4:08pm
I was really excited when I found out that Hana no Mizo Shiru was licensed in English, until I found out that it was only going to be released digitally, with the potential to be printed if it sold enough. I have not been able to find numbers for the release, but I wonder if enough people cared. I know that I for one have not paid to read the official English release because I am not interested in a digital copy I don't own. Maybe if I was given the option of actually buying my copy, then I would have been ok with the digitalization.
And I also agree with less than stellar official translations. For example, I love Bleach, but I hate Viz's translation, so as much as I would love to own the books, I won't buy them cus of the translations. I'm still waiting on a re-release of Ranma 1/2 that is not flipped, but I wonder if that will happen? And the translation of Seven Days by June was not all that great either, but that was a short series so I could live with that fact.
» YummiMookies on January 26th, 2012, 4:18am
Now, I only buy the ones I really, really want to keep. For example, I bought a copy of Sugar Milk because I wanted to hold it with my own hands, but if I feel like re-reading it then I'll use the one on my laptop.
» Galooza on January 24th, 2012, 4:04pm
» barbapapa on January 24th, 2012, 4:33pm
As for people who honestly believe scanlations are better by default than published books, you have NO idea.
» Verito.S on January 24th, 2012, 5:14pm
» Here_And_Now on January 24th, 2012, 5:20pm
» 0oKat~0 on January 24th, 2012, 5:24pm
The english publishers should really either lower the cost of manga or speed up and increase the quality of the translations so that the english versions aren't lagging too far behind their japanese counterparts.
» Quantum Mechanic on January 24th, 2012, 6:32pm
An interesting example of this is Baen (an American Science-Fiction/Fantasy publisher) and their foray into ebooks. They priced their ebooks (their entire catalog of novels, BTW) at a little more than half that of a paperback, with absolutely no DRM in a multitude of formats. You'd think that this would set the stage for them going bankrupt due to the ease of pirating their stuff, but they're making money hand-over-fist. People would rather spend the 5 bucks to get the ebook than steal it. Contrast this with Tor (another American Science-Fiction/Fantasy publisher) and their foray into ebooks. Tor was charging more than twice as much as a new paperback for ebook versions of a limited selection of their new titles. Fairly soon, they stopped bothering offering them because almost no one would buy them.
American manga publishers are in roughly the same situation; they've set their prices too high. Readers *will* buy from them if they make quality translations easily available at a reasonable price. Until they do, however, they'll be in the same situation as the music industry in the pre-Amazon/iTunes, Napster-era.
» kurosawaFan27 on January 24th, 2012, 8:20pm
Wish Chuang Yi could pick more titles
» Myuym on January 24th, 2012, 6:11pm
He should definitely have looked add or at least mentioned the format that Daum and Naver use for their webcomics.
http://cartoon.media.daum.net/webtoon
http://comic.naver.com/webtoon/weekday.nhn
» dokko-dokko on January 25th, 2012, 5:20pm
how do you increase sales, return more of the profit to artists and writers, have quality translations available to new markets quickly, at a reasonable price.... the manhwa and manga world have a lot of work cut out for them if they wanna survive. and labeling scanlations as "piracy" is no real solution to their problems.
» FormX on January 24th, 2012, 8:33pm
» archknight on January 24th, 2012, 9:41pm
» RS456 on January 24th, 2012, 8:36pm
» maine12329 on January 25th, 2012, 4:45am
» RS456 on January 27th, 2012, 2:48pm
» T1 on January 25th, 2012, 7:06am
Can they blame it on scanlations?
Of course they can. I would. I mean please, why should we buy a copy when we can get it for "free"? I mean I pay for the mode, laptop, router, electricity too so why can't I use the net to read it?
In the old days only those who wanted to find the manga found it so it was kinda hard since you had to find their sites and forums....then manganews came....and then mangaupdates came....and then the nice online readers who actually advertise openly here and there where to find the manga.
The readers?
Well most of them think it's legal, rest knows it's illegal but uses the excuse "I'm poor", the last part...well they know it's illegal and can buy but why do it?
The best excuse it to blame the ones who make the manga; "If they just made it available in the proper order as we like it then we wouldn't be doing it!"
lol please stop with the excuses. It's not your work, you got no right to decide what the mangaka and/or publishers can do and can't do it. If you want to decide then make a work yourself. It's easier to excuse your bad behavior than to admit you are bad xD
/me lols as he goes to read more manga on a manga online reader that advertise free manga to him
» Quantum Mechanic on January 25th, 2012, 8:30am
When it comes to the ignorant, publishers have options that they rarely exercise (Highschool of the Dead and the "Buy the legally cool comic" comes to mind). As for people stealing, that's another variable they can control to some degree. Most people (you can exclude yourself, if you want) will choose to pay a reasonable price for something if it is available rather than steal it. All the existence of scanslations does is drive down the price that people consider reasonable. In a market where you have a preferred consumption method and a less preferred but cheaper consumption, if you drive the price of the preferred form up too much (or the supply down), consumers will switch to the less favored version. I mean, this is simple economics, for gawd's sake! Make no mistake, people do pay a price for scanslations: that nagging feeling that what you're doing is wrong.
All the internet does is add a new environmental factor. A business that completely ignores a fundamental change in their business environment will suffer; they either need to adapt to the new environment or try to change it and they have all the control they need to do that. Which, come to think of it, is the point of this entire thread. Spouting "We're the Devil and we're here to stay!" really isn't contributing much.
» thevampirate on January 25th, 2012, 2:48pm
» Quantum Mechanic on January 25th, 2012, 7:12pm
Anyhow, in your proposal, the question becomes whether or not ad revenue would be sufficient to offset operating costs. In the case of less popular series, the answer would almost certainly be "no". At that point you have popular series having to pick up the slack and carry less popular series along. And there will be many more mediocre series than popular series. This is as opposed to their current model, where series both great and "meh" come bundled together (A yen for Naruto is a yen for Double Arts! or something). Thus, your proposed model makes popularity, and all of the appealing to the lowest common denominator that entails, much more important. Unless, of course, you could get many mangaka to do a full-time job for free.
Now, suing aggregators into oblivion is a little tricky. You can certainly sue them for hosting content which has been licensed in their country of operation (which always leads me to wonder why Mangafox hasn't been sued into a bloody smear for Naruto, Bleach, One Piece, etc.). However, IIRC, if the material isn't licensed in the country of operation, then you can't sue for hosting it. At which point, if aggregators follow the Scanslator's/Fansubber's Code, there's not much the publishers can do through legal means. Now, *scanners* are a different story.
» T1 on January 27th, 2012, 12:53am
I make a cookie, I decide who to give it to, not you. If you want to decide make your own cookie. So who are you to tell me to make an internet cookie instead of a real cookie?
You don't like people to tell you how to adapt when you don't want to, so why should they?
I don't get how people can't understand that you don't do something to others that you wouldn't want them to do to you...that's how black and white it is^^
You probably don't follow the japanese news but even if you go to animenewsnetwork, you can read how different authors have tried to work with people or just plainly hates people using their titles for pirating cuz that's what scanlation has become. The first group got people like love hina's and black jack's authors, the second got black lagoon's and berserk's authors.
Now coming to license, I'm quite sure that licensing is done when the titles is made and released in the original country. The only license other countries buys is a time period where they are allowed to translate, release and earn money on the title. If the publishers don't like it they can get their license back or stop the license, something Kodansha did when they opened up in usa or when they got tired of Tokyopops shitty work.
Now about mangafox, you won't find naruto, bleach or one piece on mangafox as I remember but I may be wrong. They were "told" to take them off. They are an illegal firm in China...China being the country where lots of copies are made and sold.
Scanlation has become such a big problem that the japanese were one of the first to discuss about ACTA with usa and south korea. Because they can see on the net that stuff is happening to their products, stuff they don't like cuz it affects their economy.^^
PS: I dunno with you, I don't feel any nagging guilt reading scanlations cuz "I'm a poor student and need my 200 titles" and "they could just license it in my country" and "It's normal, right?"
» Milleniummaster18 on January 27th, 2012, 5:22pm
If they don't, too bad, but they're not getting it. Global is the future and we sure aren't stopping it because of them. Don't want your stuff to go on the internet? You don't want your stuff to be read by anyone, period.
They want a bigger slice of money (which I believe is the true reason behind this)? They're going to have to play ball, that means they HAVE to adapt to what the consumers demand (price, format, etc), down in Japan and out in the rest of the world (US primarily). Else, they don't have grounds to complain.
Don't like what people are doing to your work? Either keep it to yourself or work for an alternative where everybody wins.
» Sayori x3 on January 27th, 2012, 5:57pm
As far as the mangaka's concerned, he/she gets paid his/her set paycheck for each chapter they do. That's about it. It's not a stock market to them. They don't get paid more because people like it more, or get paid less because less people like it. If the company wants them to work harder to push out more chapters (due to high popularity in Japan, note, JAPAN), they will do so.
Popularity internationally barely affects any of a Japanese publisher's plans. And mangakas do have a little bit of space to request a larger paycheck, but it's usually very difficult, since many other competing mangakas would be willing to work for less.
You're right. They don't have the grounds to complain. Moreso, even if they did, it wouldn't matter, because Japanese publishers only give them a set pay for each chapter. Demand matters not unless they're moving from, say, monthlies to weeklies. But that's extremely rare, and most mangakas can't even keep up at that pace.
You're being a bit ignorant by telling them to just drop it and suck it up. You don't realize how hard mangakas work just to maintain a solid paycheck. And the earthquakes happening randomly the last little while aren't making life easier for them, either.
» Milleniummaster18 on January 28th, 2012, 10:41pm
I'll take my chances, for the greater good.
» icassop on January 25th, 2012, 7:32am
» LadyBlue on January 25th, 2012, 12:06pm
» iamsoocool on January 25th, 2012, 7:45pm
» Naeko on January 26th, 2012, 3:52am
The print and video media industries have chosen to fight the scanlators by lobbying for new laws in the USA and they will be getting them. The ACTA Treaty will be signed in Tokyo soon by the EU representatives and after that it will have a discussion period followed by a ratification vote. The preliminary ratification confidence vote by the EU Parliament in nov 2011 had ACTA passing. Perhaps this will get manga fans back to buying official items since ACTA redefines sharing as counterfeiting and gives a hefty criminal record to downloaders and sharers of digital versions.
Despite punishing the customers, the manga companies should set up some easy subscription method with the aforementioned example of Baen.com as one example.
» Ascension on January 26th, 2012, 8:53am
» That3rdGuy on January 26th, 2012, 9:12am
I don't really care either way, but I'd prefer to have some manga so I'll keep supporting scanlators. I just hate it when they wont admit what they're doing it pirating. Yea, they give a lot of credit to the original artist and such, but people don't really take credit for bootlegged movies saying it's their movie either lol. You don't have to make a profit (in some cases, however, they do) to be considered an internet pirate. You're mixing up pirating with plagiarism or something. Won't matter if SOPA and PIPA(?) get passed anyways.
» Black_noir on January 26th, 2012, 11:06am
» Sayori x3 on January 27th, 2012, 11:22am
Yeah, manga is dying over HERE. People need to realize that it's mostly North America dying in sales.
Over in Japan, it's still one of the biggest markets, and they earn a LOT of money off it.
Japan outsourcing their manga to the rest of the world is just to see if they can earn some extra cash out of it.
What people over here need to realize is that Japan is a different society altogether.
Sure, over here, everybody knows about ripping, and piracy, and etc etc etc. Tons of methods to get stuff for free and whatnot.
Japan? Most of the people there don't even know you can pirate games or use Share to download raws or stuff. Explains why video rental stores still run perfectly fine and people still favour libraries over everything else.
And hell, I'd prefer their society stay that way. It keeps it running stable, not experiencing a lot of the issues we have here now.
Yes, Japan does have its feed of people who throw out stuff illegally for others. It doesn't make a huge dent in a company's profit margin though. And it's not like the police over there are letting it slide entirely, either. Programs like Share just make it difficult for them to track down.
There are video and book stores practically in reach around any block or corner, as long as you're not living in some extremely rural area. The average manga only costs like $8 CAD/USD. It's like a meal or two to them, or a couple hours worth of their paycheck. Really affordable and easy to purchase.
Japan's standard of living is just good enough for most citizens there to afford "wasting" (note quotes) money on manga and anime DVD's and stuff. Over here, everybody keeps having second thoughts about paying for just about ANYTHING really, thinking that it could be a waste.
» Sayori x3 on January 27th, 2012, 11:37am
But do realize that ultimately, American publishers license manga from Japanese publishers specifically because it is a business possibility for them.
And as common economics go, there will be losses, and it is entirely up to the American publishers how they will figure out how to avoid them, or just drop out of the market entirely.
Nothing ever runs perfectly fine for a company. If it did, they would be monopolizing whatever it is they're selling, hands down, no questions asked.
On a consumer-level, yes, if American publishers die, and consumers have for the longest time relied upon these American publishers, they will lose a major source of their reading (if they actually buy the manga).
But as we all know, on a consumer-level, there's a huge 10:1 ratio of those who just read it somewhere for free, compared to those who actually buy the manga. And 10:1 is probably a very conservative ratio.
Ultimately, consumers who actually WANT to buy the manga have no way to avoid a situation like this. It's reality. They will just have to wait it out and see how it turns out in the long run.
» 0oKat~0 on January 27th, 2012, 8:53pm
Further more, buying those magazines will actually benefit those readers in Japan as they are given a chance to vote for their most loved manga and keep it in the magazine, something that those reading illegally would not get a chance to do. Think of it like the American Idol, you know that it'll cost money to vote for your favorite contestant, yet millions of people still do it because they know that their vote counts. IMO, I feel that that is one of the key reasons why magazine like SJ are still flourishing in Japan.
Simply translating a manga volume few months (or even years) after its Japanese counterpart has been released is no longer enough anymore. Not with the internet around.
» Sayori x3 on January 27th, 2012, 9:45pm
Buying any manga volume or magazine outside of Japan has basically zero influence on what a Japanese publisher does, since they are only licensing out the rights to redistribute the material. If a series "dies" in Japan, the Japanese publisher would just cut it right then and there, regardless of any foreign company overseas that has licensed it. No overseas licensing company can just "tell" a Japanese publisher, "no, don't cut it." It just doesn't work that way.
If anything, buying a licensed manga volume probably just convinces the licensing company to want to keep the license going. That is to say, if some series is dying out here, the company won't see a point to keep licensing it, and will just drop it, similarly to a scanlation group that looks for whether one of their series is popular or not, and if not, they drop it. It's just that their popularity is determined by the amount of revenue they get from sales.
Shounen Jump is probably an extreme example of a high-tier publishing company, but if you're considering a not-so-big magazine publisher in Japan, they usually look to see how popular a series in for at most a month or two after each chapter. They then increase (or decrease) their demand for more chapters and/or quality from the mangaka after that.
Japanese people who actually do illegally read manga online still contribute, since their own hearsay and fanservice helps improve the overall popularity of the series, since the people they introduce it to may possibly purchase it, since they may not like the whole idea of reading it illegally.
» naikan on January 27th, 2012, 4:11pm
» Dionaea on January 29th, 2012, 2:35am
I'm more than willing to pay for manga, but they should: A. Publish the stuff I like (they generally don't) B. Improve the quality (it often sucks compared to scanlations, which sometimes suck too) C. Sell stuff onlime for a decent price and allow downloads (I don't want to read online, I don't have internet on the bus or train D|) D. Allow the use of paypal (I wanted to join emanga, figured I'd make screenshots to reread, but they only accept creditcards, how stupid is that? What kid has a creditcard?)
I know scanlating is pirating, but the publishers are just acting like idiots. Who's gonna pay for something of bad quality if better is available for free? And they're making the same mistake as the rest of the ebook community, charging way too much for some bytes you can't even hold D|
» Dionaea on January 29th, 2012, 2:44am
» deadphoenix on January 30th, 2012, 12:17pm
And don't blame it on the reducing birth rate, even if the sales drop in Japan, they raised a lot overseas( In my country you couldn't find any manga at all 10 years ago). In the USA it's another matter, their is the source a lack of trust in the publisher a major reason (most series are never completed, dropping quality, lack of information (the publishers don't give much info with their releases, only the release date, summary(incomplete sometimes), an unfinished front page and off course the price.
Another problem with the publishers in the USA is.... why do they license that? Oh please, license good series, the ratio between good and bad dropped a while. On the end of last year, it became a bit better but the major problems are still the same.
An other problem lately is a lack in plot in most manga, and most of them with a good plot won't even be published.
» akuma_river on February 21st, 2012, 2:45am
In the 80's MAFIAA worked to kill the VCR and Home Taping. Called it theft and piracy. We called it innovation and sharing and they eventually relented once they realized they could still make money. What we are seeing now is the last push back in our era of the old dinosaurs way of doing business which is ruthlessly attacking any and all competition even if it comes from your customers.
Just like in torrents and other file shares the PIRATES are the biggest CUSTOMERS. They learn of titles and series and follow them via the internet and if they like it, really like it, when/if it comes to them they buy it up.
But then again because of DVD Region and DRM and such and all the frecking warnings on the dvds and blurays you buy...you gotta wonder why you put with them calling you a thief all the time when you could just get the stuff online with none of that crap.
Which is why Hulu and iTunes came around.
Now the book publishers need to do the same.
But they gotta keep up with the paper publishing. DMP went the KickStarter route. Bring up a series they want to do, let people know about it, and take in the donations and confirmed sales. They raised three times the money they needed for their first product within the first week. That is how you do business in this generation for a small title.
Data is corruptible. Viruses wipe out hard drives and servers. Paperback is always better for something your truly want to own and share and love.
But data is good for a quick read.
I'm in publishing, small press, not manga translations. Look at the current book business you have only 6 different corporations who push 80% of the book business. We only have about 2 major printers left in the nation. And you hear about how badly the big guys are doing. Layoffs and what not. Guess what, the small indie presses aren't failing. We are expanding into the market.
It also helps that we don't screw over the authors in their contracts.
DRM and locked-in devices are the problem with e-books now. Not to mention the formating wars. It's beta vs vcr bluray vs hdvd vs dvd out there now. You don't own an e-book they license it to you. That's what their contract says. And they can revoke it.
Which is why a lot of people like me are wary about buying ebooks and why a LOT of people are jailbreaking the ebooks.
This is old business model vs the internet with no real new business model except those on the internet who are creating it.
It's a revolution in the works and the money hungry owners do not like it and like how big oil is keep trying to kill climate change and environmental science so they can keep making their money is how the content OWNERS (not creators, big difference there) ie COPYRIGHT OWNERS (not creators) are at war with their customers. Be it the MPAA, RIAA, MAFIAA, IPF, or the manga and book publishers it is all about the money and all about controlling THEIR product and how to make money off it and enough is never enough. So they want to kill off ALL competition including the fire sharers who are their customers and the scanlators who help create monetize their business.
You could say it is the rich corporations against their poor customers who are sick and tired of being given the shaft. So they buy off congress, make up new laws, pay the police to hound them and shut them down. Because they know the tide is turning because the internet generation is getting older and we are about to be get into political office and start to change things by booting out the old foogies who made up the damn stupid overly complicated and arduous copryight laws in the first place.
In ten years, things will be changed. We just need to keep up the fight for privacy and civil rights online and they won't be able to stop us.
That's how the Civil Rights Act got passed. You wait for the old people to get kicked out office. It's how gay marriage will be passed throughout the major first world nations. The racists and bigots are dying off and the younger more accepting generations are getting to voting age and age to serve in Congress and Parliament to actually change the laws and make things better.
» Darkchime on March 5th, 2012, 12:25am
Webtoons viewed online at naver.com such as Noblesse, Cheese in the Trap or Utopia are rendered with beautiful color and if I'm not mistaken actually free! I would pay a premium to a legitimate site for all the manga/manhwa that I read, if it was all in one comprehensive place.
They don't want too share their manga space with rivals!? What are they in high school? I search genre and categories, when I look for manga not publisher.
Then we talk lost of profits in America. It's certainly the publishing company fault.
If Corporations are "people" then they can certainty take the blame.
The American publishing company biggest issue (IMO) Is how they sterilize the stories. I've read manga for many years now; so I understand that using -san, vs -chan or -sama could mean a great deal in story plot. All which is usually lost in translation.
It's the biggest reason I stopped watching dubbed anime (that and slow release times).
Translators and Scanlators have their own problems too.
Biggest of all. Most of these guys do it for free. Manga does not come cheap (which I'm sure everyone knows). Sure some may donate for website up-keep or actual manga. But a lot don't want or need that help.
Plus they have personal live which can (and often does) interfere with actually getting fresh manga put out. That's the QC'ers, Editors, Translator, and Typesetter (just to name a few positions) all with there own personal lives.
They are not getting paid for this. Still sometimes I do have to catch myself from bitching, especially when only 5 chapter are out, But 7 volumes are already out in Japan.
It's forcing me to try to learn Japanese/Nihongo in my very small spare time. All of that so I don't have to wait on either water down Americanized manga. Or slow translation, often with years between new chapters. *sigh*
Yeah online is definitely the way to go.
» ken3469 on May 27th, 2014, 8:09am
But data is good for a quick read.
Data is corruptible. Paperback wears out overtime (doesn't any physical object does? especially with paper). Paperback is better for collectors, but Data can always be backup with over thousands of copies and distributed faster than a printed book. Plus, Data doesn't wear out over time. It keeps its quality timelessly.
Data is not just good for a quick read. Data is perfect for storing information that you want to keep for tens of years. I used to buy comic books back when I was 10 but now I'm over 20 now and those books are so old I have no other use but to throw them away. Now if I was to keep over 100 volumes of manga on a USB which I pays around $10 for which is about less than the price for a printed manga in the US, I won't need to worry about it being worn out for 20 years later. PLUS I can make copies of it on more than 10 USBs and keep them, OR I can share those files among my friends and therefore the backups keep increasing. You can even upload them online and let people around the world anonymously download them and create more backups, then people upload those files and more people download them.
Data is actually much more secured, reliable and safer way to keep a digital media file intact. Plus it's lightweight and convenient. Right now I'm reading several manga on my tablet devices with PDF or JPG/PNG format, and I don't actually have to worry about carrying over 100 books around with me all the time
Aside from that, I agree with everything else you have said.
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