In that era when the country was peaceful but people were suppressed by ideas, a group of people full of dreams faced challenges and setbacks in this intricate predicament, looking forward to the light after that long period of darkness.

One day in 1980, Wu Nianzhen, who was working in a municipal nursing home, received a call from "Mr. Ming." Soon after, 28-year-old Wu Nianzhen joined China Film Academy...

Ono, who interrupted his studies and returned to China for a year in 1979, turned to his "creditor" China Film Group because he was owed royalties. Soon after, 29-year-old Ono also joined China Film and Television and became Wu Nianzhen’s colleague...

How can two literary youths who are full of ideals about Taiwan and movies change anything in this conservative and rigid system?