So far, this is my most favourite Kano-sensei piece. It is a joy, I agree, Rantipole!
Hana is such a bizarrely interesting character: he seems so vapid at times, like a puppy that stares at you blankly, but then surprises you with his fierce, sure-footed reactions. He is so matter-of-fact and unconcerned with society. He does his own thing, like sitting on a city road median --the only place with a little grass and shubbery-- for a traditional tea. God, I swooned when Takumi held him in one arm. Takumi himself was interesting with his unusual gentlemanly and diplomatic personality with all the swooning fan girls and townsfolk alike: truly a sincere charmer. He was strong and beautiful and pure hearted, but not so pure as to not identify his 'needs' *_^.
The love scenes are sweet and tender. They even gave me little butterflies and they were so...so...consensual. I was surprised, but I adored them. They were very affecting.
The art is recognizable --which I appreciate, since there are so many mangaka that blur together. The large, inverted pie-shaped heads, the huge eyes and the tiny chin of the uke all add up to be super-exaggerated, but lovely and elegant. Long limbs for both uke and seme, but broad back for the seme. Traditional but it works with this pretty story of the flower boy.
It's like a BL version of City Mouse and Country Mouse...sorta kinda. Whatever it is , it works!