I started reading this manga awhile ago, before it gained its current popularity, and back then, I thought it was a good black comedy that was overlooked by many. It was quirky and fun, a great escapist read. It was easy to accept the blatantly two-dimensional characters for what they were simply for the comedic aspect. The manga wasn't overly serious and oftentimes made fun of itself, which was enjoyable.
However, as it grew in popularity, it started to lose that charm. I'm not one of those people who start to hate something simply because it becomes popular. No, what bothered me was that many people started to take this manga too seriously, and it seems now that the author is doing the same thing. What started merely as a comedy has started to flaunt a more convoluted plot than what the initial premise is capable of. With twelve volumes currently, we have yet to see any significant character development from the protagonist we're supposed to be rooting for. We've been given a few flashbacks of Ciel's clearly traumatic past, and yet we still know next to nothing about what actually happened to him. He is entirely bent on getting revenge, but it's hard for a reader to sympathize with that shaky motive, especially taking into account many of the horrific things we've witnessed him do.
The gruesome end of the circus arc,
for example, gave Ciel a huge amount of character derailment rather than development, as it essentially reinforced all of the negative characteristics he's come to possess. It would be nice every once and awhile to see him as the innocent kid he was before his parents' deaths and not as the cold, calculating, hardly human chess master that he's become. And since the author decided to take the route of a more serious plot, it's even more difficult for me to engage myself in the story simply because cardboard-cutout Sebastian, who arguably worked well in the manga's original flavor, is simply too perfect and rarely has any trouble accomplishing anything BECAUSE he's perfect.
All that aside, this manga really jumped the shark for me pretty early on during the Jack the Ripper arc. Having studied the actual case of Jack the Ripper, I was interested in seeing which one of the suspects was the killer and how they went about disemboweling the victims. As it turns out,
it wasn't ANY of the suspects but rather the BUTLER of one of the suspects who committed the murders. This character is then revealed to be an eccentric, out-of-era transsexual shinigami (which previously we did not know existed) who promptly attempts to capture Sebastian's heart and succeeds in capturing the hearts of thousands of fangirls who merely think s/he is "flamboyantly gay." Other than the completely inaccurate portrayal of a transsexual individual (of whom I know many in real life), the manga took a turn for the weird and not in a good way. I found myself increasingly nonplussed reading this part and was happy when the transsexual finally went out. I just could not take this character seriously and felt that s/he ruined the setup. As a side note: Sorry to break it to you, Toboso, but England doesn't have shinigami like japan does. If you're going to bring them into the story, at least make them Japanese!
One of the main appeals of this manga is simply the slashiness of it. I don't know when relationships between prepubescent children and adult men became so popular, but it's one of the trademarks of this series, so if you're into hints of that sort of thing, then maybe this manga is for you after all.
I haven't read the most recent chapters because
of said transsexual reappearing
, and I'm not sure I'll be able to bear reading this manga anymore. I'll give it a six because the artwork is beautiful and the humor is good, but if you're looking for a deep, compelling dark fantasy with great characters and a beautifully woven plot, try Pandora Hearts, a series to which Kuroshitsuji is often compared but which can't, in reality, hold a candle to.