The uncle! WOW! The story would have been much more punchy and intriguing with more of his involvement. He was confident, quirky and unique.
Moe and Kei, the brother and sister, had the most interesting relationship. Homerun-sensei did a fascinating study on a family that dearly loves one another even as their hearts can be broken by this same family.
I liked the way the step-mother was portrayed. It was nice for a change to see a loving, kind step-parent, who truly seemed to care about her step-children.
The character of Fujii needed more time or more succinctly chosen scenes of action and words that would pull the reader in to him. He felt flat to me. I only started to get behind a little feeling for him near the end when he started to come to realization of where his focus was...
Homerun-Sensei has a great way of balancing desperately sad, loving and completely relate-able from all character's perspectives within a single scene.
The ending was a little weak because it was average. The little clip, 'Tragedy', made up for it because it was so humorous! And at it's centre: Rintaru, of course!
In the afterwards, the mangaka, mentions how she wanted the story to go, but was persuaded otherwise from her editor; She should have followed her instincts. The artist knows! She mentions that she wanted to make it a period piece, early 20th century. And she wanted to make it a bit more bitter sweet, rather than happy-happy. I think maybe a halfway point would have been good.
The art was beautiful: Lush, big eyes. Expressive faces. Lively action. Interesting angles.
Scanlation, done by Nakama, Doki Doki and Smexy Batards, was smooth and unnoticeable - goal achieved! The focus was the story and the art, not the editing, translating and scanning!