Quote from itadakumasu
Quote from ahoaho
^That's not always the case. Example: School Days. Example: Saikano. The depth and breadth of the characters is so deep and wide that one cannot help but relate themselves to the themes and angst of the plot lines and characters.
Saikano is nothing compared to Bokurano and School Days is primitive emotional literation compared to Nijigahara Holograph.
Anyway, it is not that I am dying to convince you or something. People take as much as they can from animanga (like everything else). This was the initial question concerning the specific genres, was it not? If you pull a God like complex from Gantz, I would pull precisely the opposite and add the horrifying alienation, delegated responsibilty, opportunism that kills, in summary, demystification of the human nature and society. And I believe this is the goal of the genre as of now. (Naturally I exclude any plot with zombies and the Indiana Jones type running here and there with A girl to save the day among sea of blood or something like that).
Maybe those two manga don't strike a chord with you, but to me, they highlight the angst and foibles of humanity. And how can you remove the God complex from Gantz? The players are forced to fight and kill, or they are killed by an almighty being.
I find war dramas not only more cathartic, but more classically tragic than horror. And Indiana Jones is not horror.
I don't believe I have criticized those who have stated that they enjoy the manga, or media, I just want to understand why they do. Frankly, everything that is gained emotionally from horror can be gained by other genres, so there must be another reason. Unless, as I have previously stated, it is for the sheer cathartic response of to the media as a whole.
________________
Listen here Livin just to keep from dyin