I read this one long back, but one look at the title and I can remember how engrossed I was reading this. The first story is better as a stand alone and it's not until the middle of the second one that that eerie feeling starts creepin' in. The last story is a hatts off to the title and leaves you with just the right mood to contemplate or remain bewildered with an uneasy feeling in the back of your mind...

this reminded me k no souretsu.. though at first I thought its stupid.. but somewhere in the second story it started giving me this chilly feeling.. this manga is good and is right to be called a horror manga.. it didnt scare me a bit.. but it did something else.. that chilly atmosphere can give the manga the title of creepy and even terrifying if you like these things read it and if you liked it read the manga I mentioned..

Ah, this one-shot is really twisted. Somehow, however, I've gotten a taste for twisted stories ever since I read "Flowers of Evil", so I'm not surprised that I liked this collection.

Art is gorgeous. I love it. It's not typical, huge eyed-characters with unrealistic facial features so that was a big turn on. Everything is anatomically correct, too.

The stories are twisted, morbid—the works. It's not exactly "scary" in the senses of dead people or whatever. It's just brutal and abnormal. The feeling it gave me throughout the volume was numbness. The scenarios are surreal and creepy. Messed up. Yet I still liked it.

What mostly made this story a success in creepiness factor were the the characters. Those are messed up people. Once again, I admire this mangaka in some sort of morbid admiration.

I'm not sure whether I should recommend this because it certainly isn't for everyone. So beware =3

Fujiwara seems to have this tendency to draw things that are aesthetically appealing, but also..what's the word...detached? She has this style where the characters not only look similar to each other from story to story, but they also seem to embody this untouchable, ethereal beauty which, when paired with her sparse story-telling, does not leave the reader with much to work with.

90s heroin chic is what I like to label her art style. Their looks certainly remind me of the 90s for some reason.

Yes these stories are haunting, but I wish that there was just something a bit more. They don't really stick with you except as an echo of what they once were. I want something that's a bit more persistent. But perhaps if you like the ghosts of horror, the hints of horror and that which is psychological, you'll enjoy this. Maybe you need to be in the right mood for it in order for it to be effective, like how you can enjoy certain movies or music on a rainy day. This certainly seems to be one of those works of art where you have to be in the right mind to like it and to respond to it.

My favorite would have to be the one with the master and the doll. I've read it over a dozen times and it was only after the dozenth time that I realized a few things about it that had previously confused me, though I won't get into it here...

Reading this manga, it felt like you were watching dolls being posed in horrific situations. Nothing but posing. But that's not a bad thing! Yes, 70% was style over substance, but that doesn't render a work incompetent. The stories range from mundanely perverse (Our Vast Loneliness, Fetish) to creepy (Love Letter, Airport) to horrific (All of Sully/Lily).

This is a collection of reallllllyyyy creepy stories. Some are just sick.
I admit the way of telling the stories left me a bit confused at times, but not..bad confused.. idk how to explain it.
I enjoyed it though. A nice change.

...but the most of these stories end slightly abruptly, somehow. Or maybe it's because it feels like something is missing.
I don't know which, but these stories are pretty good. Art is beautiful, and the last story was the least scary [but still pretty twisted].

Fujiwara's delicate, feminine shoujo art paired with her gruesome guro subject matter reminds me of creepy things I used to see when I haunted the ball-jointed doll community years ago. While it's interesting to see such grotesque material rendered in an art style usually associated with romance and innocence, Fujiwara unfortunately doesn't have much follow-through in these short stories. There is, indeed, little more to these tales than fetishization and surface titillation. My favorite was "Love Letter" because it managed to scrounge up some atmosphere and tension, giving itself the breathing room for mystery whereas the other stories are abrupt splatters. I'll probably sample more of her work; I'm curious what impression she leaves when working in longer forms.

This manga is completely twisted! (And you can decide for yourself if that's a good thing or not.)

The volume consists of 5 short stories, each completely unrelated plot-wise. Like I said above, each story is very dark and disturbing (some more than others). You will probably be disturbed and/or squicked by at least one of the stories - I was with Chapter 3 ("All of Sully/Lily") in particular.

That being said, this manga is pretty good. It's a psychological trip that takes you into all sorts of dark places (or fetishes). Definitely lives up to its name.

i've been into darker stuff, and this suits me just fine! i love the romance/twisted combination, it's just right. and it makes you think.. i had to go back and read a couple and think on it (WHICH I LOVED!) on some stories. i loved how they were so different, how they focused on different subjects, how they were different lengths.

ah, fujiwara's works are so refreshing.. -sigh-

and of course the art is beautiful.. that goes without saying..

... Last updated on June 23rd, 2009, 7:39pm